07 November 2017

Bacchus in Autumn

























What a melancholy sight Bacchus and  his four sleepy little satyrs make on a cold November day.   The enigmatic smile on his face resembles no one so much as the Mona Lisa.  The party's over and even morning's coming light is low.   Until March, when the Maenads will gather to celebrate with rituals of wine and  liberation.  As for the ice crystals on the grapes, they suggest this early morning followed a night of serious drinking.  

This Bacchus was sculpted in lead and gilded with plomb dore by the Marsy Brothers according to a design by Charles Le Brun, court painter to Louis XIV, a man the king described  as "the greatest French artist of all time."  And who would dare to argue with a king?   Be that as it may, the quartet of fountains depicting the four seasons were among the glories of the first progress of  water features to be installed at Versailles.  If Bacchus was a god of excess, Louis XIV was his fervent acolyte.  Fully a third of the cost of the improvements to Versailles was spent on the waterworks to supply its fifty fountains. And the town that gave the palace its name has been the sole supplier of water ever since.  Thanks to Louis XIV,  water is a recurring problem at Versailles to this day; the fountains can be turned on for visitors only one Sunday each month.

The Marsy brothers, Balthazar (c. 1624-1681) and Gaspard (1628-1674) were among dozens of sculptors employed by Louis XIV.   Along with the fountain of Bacchus (Autumn), they executed Basins for Flora (Spring), Ceres (Summer), and Saturn (winter).

Like the devastation Jupiter rained down on the giants who attempted to storm Mount Olympus, a hurricane swooped down on the palace  of the Sun King on Christmas night of 1999.  Morning revealed that some 100,000 trees had been felled including many of the oldest  specimens dating from the 17th century.    Initial fears that the gardens would never recover were proved untrue thanks to heroic  efforts by the French government, led by an army of helicopters that landed even before power could be restored.  And then, just as in the Sun King's day, once again Versailles became a construction sight, full of dirt and noise.

For his stewardship of the restoration, Alain Baraton, head gardener of Versailles then and now, received so many awards from a grateful nation that he wrote "I have more decorations than a Christmas tree."  Baraton's memoir of his life in the world's "grandest garden" was a best seller in France and its charm is evident in translation.   A middle child in a family of seven children, Baraton did not excel at school;  he recalls his time at horticultural school as being more servitude than liberation.  An impromptu visit to Versailles in the summer of 1976 resulted in the dream job he hadn't even imagined: gardener to the Gods.


For furthers reading:
1. Alain Baraton - The Gardener of Versailles: My Life in the World's Grandest Garden,  translated by Christopher Brent Murray, New York, Rizzoli: 2014.
2. Thomas Hedin, The Sculpture of Gaspard and Balthazar Marsy, Columbia (University of Missouri Press) 1983.
Images
1.: Jean-Baptiste Leroux - Le bassin de Bacchus en automne -Chateau de Versailles,  c.1672-75, photo from the collection of Jean-Baptiste Leroux, Paris.
2.  Thomas Garnier -  Le Bassin de Bachus - no date given, Grand Palais, Paris.

8 comments:

Tania said...

A good idea of reading, thank you !
(Since my mother had to leave her apartment, I have much fewer time to comment on blogs, dear Jane. But I always return here.)

Jane said...

Tania, how kind of you, when you have so many interesting travels of your own. Between your articles and your photographs, they help me to keep up my French skills! Merci beaucoup.

Rouchswalwe said...

Oh my ... gardener to the gods. Goes to show you we all, each of us, has a part to play!

Jane said...

Rouchswalwe, the gardens were arranged to allow the gods to watch over them. A gardener of Baraton' humility knows who rules, as his delightful book details. Also, yo9u reminded me that I had this close-up photograph of the little deities picked out for this post! So, thank you for reminding me.

Rouchswalwe said...

Gerngeschehen, liebe Jane! The close-up is superb!

Jane said...

Isn't it? The little ones look like flesh an blood, too. Nothing stiff abut them.

Anonymous said...

Marvelous to see this. Truly marvelous.

Jane said...

Hello, Anonymous. Marvelous, indeed. I like these photographs for being taken in the fall, the season the sculptor intended. A nice touch, I think. Those grapes look ready to harvest!